ArticleManagerSing for you, sing for love
Sleeping night after bustling
Someone still uses her original heart and love to support their dreams
They are running hard
Facing the gentle hug of the world
It’s a smile that Yu Wen hasn’t disappeared
They are TMEA “Let me sing a song for you”
The production team behind
The Tencent Music Entertainment Ceremony is still out of the Dajing Mobils Director Studio. Yuan Jing serves as the director and Ma Yang is the executive director.
The theme of the 2021 TMEA Ceremony is “Let me sing a song for you”, which is based on the four chapters of “for the omnipresent love”, “for the unremitting dream”, “for you”, “for each you of TMEA” Essence This time, TMEA said, “Let me sing a song for you”, this “you” is actually every young man in the times.
General director Yuan Jing
In order to allow every listener to find their own stories in the stage of the stage, the director group also interviewed many ordinary people in different industries in the pilot film, listening to them telling their stories related to music. The entire pilot film focuses on every tiny individual in the big age, and records the warm moments related to dreams, companionship, guardianship, and exploration in the past year. This is also the definition of everyone -in the “Singing for you” of each musician’s classic masterpiece, create a celebration of the Chinese music entertainment events that are both out of circles and understand your Chinese music scene.
The ingenious design of the “online package content”, whether “let me sing a song for you who are still working overtime at this moment”, “Let me sing a song for you who insomnia late at night”, or “Let me be a teenager or a teenager or You who once sang a song, “” Let me sing a song for a long time for a long time for a long time “and other themes, they are conveying the rare and common slices in the life of contemporary youth. It is because of normal and everywhere, so ordinary audiences have a sense of consequences and sense of substitution. It is not only a big person to get on the hot search, and the life of the little man is worth seeing. TMEA’s performance is actually an immersive resonance performance. “Ji Wenying said.
The 2021 TEMA still set up a branch venue, using music to re -engraved the youthful memory of each era, and created a grand “memory kill” scene for each “you”. Jay Chou’s “Time to Give me a song”+”I’m Not worthy of”+”Quiet”+”Track”, Liu Ruoying sang life with “Each Animation” and “When Love is Closer”; Mayday and Liu Ruoying used ” Later “” I don’t want you to let you alone “sang for” later us “. Through a warm line of the ceremony, everyone can find their own figure in this TMEA performance, and find the solution of life through songs to find the solution of life. medicine.
“All the creativity of the entire ceremony extends around the theme. The cooperation of photography, conductors, dance beauty, vision, lighting, and audio design teams are very tacit, and we can successfully complete the entire production. The fans are not showing a skewers or every chapter that is divided, but a content show with musical and continuity, which reflects the professional and high -quality music content of the Chinese music scene. The singer can also use the TMEA ceremony Really output your own personalized and differentiated traits, “said Ma Yang, the general director.
Performing director Ma Yang
The dance design revolves around the tone of tenderness, using the structure of standing screen, floor screen, water stage, and large spiral, which means the echo ring of the new and old music alternating collisions. The chromatography corresponds to the chromatography, the chromatography corresponds to the award, and the award corresponds to the setting of the special effects of the stage. The program vision is presented to each audience with different performance methods.
Visual design is still responsible for the Pixel World Visual Studio. “Visual design must be presented with dance beauty shapes and lights. We have always hoped to break the traditional conservative design concept. Based on a simple foundation, the stage has more music attributes, not the stage, not the stage, not the music attributes, not the stage, not the music attributes, not the music attribute, not Seize the Lord through the visual noise. “Wei Yan said in the interview.
Xue Zhiqian’s “Camel” VJ visual creativity is based on the original MV of this song, and then created a second creation. The roof city in the MV was presented as the ground on the stage, and the main vision was visually conveyed by the Montic lens language.
The visual design of INTO1 “The Filty” breaks through the routine thinking vision of the previous three -dimensional design of the men’s group lines and color blocks. With the dance movement of the entire men’s group, it adopts a thick hand -painted style to expand the lion as the main visual screen to the screen. Extension, the ground screen cooperates with the entertainer’s dance action screen to present the visual effect of the human screen interactive.
Teacher Wen Jianan’s “The Federation” manuscript picture
For the hardware part, the biggest problem is the problem of color difference, because the ground uses the screen of matte glass, and the back screen uses ice screen. The two specifications of these specifications have a big gap in terms of specifications. Including its resolution, points, and color levels are different. The video teacher is constantly adjusted at the scene, and then reaches the unity of the color of the ground screen and the back screen, thereby showing a better screen integrity.
Wang Suzhen “Sword Soul”
Xue Zhiqian “Wandering with you”
Liu Shuang’s “Mohe Ball Hall”
Zhou Shen’s song skewers
Zhou Shen’s “Send You A Little Red Flower”
Time Youth League “Drunk”
Times Junior Group “Men’s Rhymes”
Cai Xukun’s “Dream”
Cai Xukun “Feel her”
For visual design, if there are many elements used in a ceremony, this often causes a visual pollution. Therefore, in this design, the visual team tries more to do subtraction, which is easier to deepen the visual memory of the audience.
Talking about the difficulty of the design of this time, the photography guidance Zhao Lei said: “At first, I saw the various curved elements presented in the design of the dance design, as well as the smooth outline, plus the water surface design element, and the design of the machine position design. I do n’t know how to start. In order to use the water on the stage, we designed the rail machine to make more use of the stage of the stage water as the start of the picture, and more vividly express the softness of the dance. We also continued to communicate with the United States in the early stage, because the height of the stage directly affects the height of the rail aircraft platform. Establishing the rail aircraft platform needs to consider the problem of the piercing platform. After multiple communication, it finally achieved the reflection of the picture. “
This time the lighting master Yang Yang set up five circles in the audience’s seat as the lighting of the audience lighting. The setting of the lights will inevitably affect the flight area of the flying cat. After a long time of communication with the director’s communication and choice, we decided to keep the flying height of the flying cat. Losterity interaction.
The lighting master Yang Yang has specially set up a CNC wave lamp in the right rotation stage area. To this end, the photography team has set up No. 8 rocker position, which can be shuttled in the light balls that fluctuate up and down. The wave lamp can also be used as a foreground to move and zoom, showing a better shooting effect.
The audio design is responsible for Zhang Junjun. He said: “In the early audio design, thanks to the advanced 3D acoustic simulation software Soundvison, which is advanced from the L-ACOUSTICS speaker. We can import the venue data of the Venice Golden Variety Museum in Macau. Reasonable planning and layout need The speaker model, quantity, hanging position and angle, etc., in order for audiences at all positions, can achieve better clarity and uniform sound pressure. “
The main speaker this time uses 16 L-ACOUSTICS K1 plus 12 K2, plus 12 SB28 ultrasound as a low-frequency extension of the main speaker. A total of 18 K2 plus 3 KARA is used on the side supplement speaker. The relatively flexible angle settings of the K2 and the convenient hanging system brings more convenience to the installation of hanging.
Considering the importance of live broadcast, both of the OB and PA main expansion contests use two DIGICO mixers to back up the mirror. Because each artist has different monitoring habits and needs, there are certain requirements for the convenience and processing capabilities of the Monitor mixer. The Monitor console uses the Digico SD5 and SD7. Even if there are more than 20 groups of artists on the spot, they are still handy.
When we revisit the night of the festival just past, and the state of the people who have seen the people who have seen the teams and the roads and the roads late at night, the work group chat, the takeaway of the heart and the stomach in front of the scenes and the back of the stage The manuscripts and design drawings of the review and modified, we find that we understand each other more than we imagine and cherish this stage.
If you use a lyrics to express it, it may be “for this time, I have repeatedly practiced the breath when I met.” Because words have never been able to express our affection by millions of tens of -millions.
And this grand two -way rush to and affectionate confession, with the fall of the last note, will also become a long -awaited dream of our later wandering, moving forward, and the courage to face unknown future.
pay tribute!
Organizer: Tencent Music Entertainment Group
Broadcasting platform: QQ Music Cool Dog Music Cool My Music National K Song
Content producer: 3345studio three three four five
Venue cooperation: Venice, Macau
Undertaking unit: Lesteng Performing Arts
Program production [main creative team team]
Director team:
Big Crystal Mobs Director Studio
Director: Yuan Jing
Executive Director: Ma Yang
Executive directors: Wu Shan, Sun Guolei, Nie Wenshuai
Writing: Ji Wenying
Directors: Ouyang Xindong, Liu Yu, Xie Dan, Wang Jing, Yin Feiyang, Gao Mengqi, Liang Linna, Zhou Xinyue, Huang Yuehong, Hong Chumeng, Hao Yunfan, Gong Yingying, Cheng Yu, Pan Shaoquan, Shi Xin, Chen Xinning, Jilin, Jilin Jie, Zhao Dan
Time code: Lu Jie
Keyboard: Feiyu
Stage Supervision: Gong Jian
Photographer: Stone Clarkshilin
Integrity team:
Beijing Saijia Cultural Media Co., Ltd.
Photography coordinating: Zhao Lei, Li Hu
Director: Hu Jingchun, Wang Peng
Assistant guide: Sun Yinghan, Cui Meiyi
Video: Tiger image
Dancei Design:
Dance Director of Dance: Lu, Lu,
Designer: Wang Xinkai
Visual design/production
Pixel World Visual Studio
Beijing Early morning Cultural Media Co., Ltd.
Lighting team:
Shanghai Laicho Cultural Media Studio
Lighting design: Li Yangyang
Lighting master: Sun Zhongmao Liu Jun
Polymoier: Peng Fengbo
Audio team
Audio design: Zhang Junjun
PA Audio: Li Yongjun
Monitor Audio: Xue Ming
OB hybridist: Zhang Junjun
System engineer: Gao Weida
Assistant Audio: Deng Nanhong Yin Chenyuan
Audio Technology: Chao Xiangjun
Stage construction:
IEC Group Engineering Company Limited
Ai Si Group Engineering Co., Ltd.
Hardware coordinating:
IEC Group (zhuhai) Technology Company Limited
Zhuhai Aisi Technology Co., Ltd.
Engineering Director: Chen Shanming Cheng Yade
Hardware execution: Qiu Mingxian
Picture Source/Dalo Mobs Director Studio,
Interview Editor/Bellina
Please indicate the source
Pixel World Visual Studio
Shanghai Laicho Cultural Media Studio