Gu Jingzhou imitates Dibin Monk Hat
The earliest time for the monk hat pot was the Yuan Dynasty, and the earliest carrier was porcelain. After the Ming Dynasty, a large number of porcelain artisans were transferred to the production of purple sand device. The “Monk Hat” contains many elements such as ethnic minority culture, religious Buddhism, and porcelain development history with its unique shape.
The shape of the “Monk Hat” is named after the pot of the pot. The pot body is hexagonal. The five -petal lotus flowers are extended along the mouth of the pot. It is a Buddha ball, like the top of a monk hat, the style is elegant and pleasant; the neck of the pot is close to the petals, like a hat edge; duckbill -shaped stream, ear -shaped handlebars with a small wrench like flying handle; The design is quite ingenious, echoing the handle of the pot, and it is integrated with the pot body; the bottom of the pot is also positive hexagonal. The shape of the “Monk Hat” is sharp and elegant, and the overall feels a sense of rigidity and charm.
Li Maolin purple sand monk hat pot
The “monk hat” has a special cultural meaning with the “monk hat” as the shape. In the Buddhist classics, although the Buddha stipulates whether it can wear a hat, it does not specify the specific form for it. Therefore, the shape of the hat in the future Buddhism is not only divided into denominations, but also nationality. The Chinese monk hat pot is mainly divided into three types of system system. One is the style of Li Maolin in the Ming Dynasty, and the other is the style of Dabin. Essence
The above three models are called monk hat pots, but the shape of the same name is very different. The reason for this difference: from the use of ancient pottery and bronze, from the lacquerware to porcelain after the Han Dynasty, to the rise and progress of purple sand, it has been deeply imprinted. This influence is more complicated with the development of society. From the perspective of the work, each dynasty will have its own characteristics and changes according to the social and cultural atmosphere, the level of craft production and aesthetic style. Compared with the utensils of the same period, they cannot find out their inheritance points and reasons for changes. From the perspective of history and culture, the problem cannot be used only from the process design.
The initial use of the “monk hat pot” was to drink tea for Buddhist monks. Later, with the push of time, the “monk hat pot” gradually became a teapot that ordinary people could also use, indicating that Buddhist culture has gradually become worldly, and Entering the life of the world affects the world outlook and outlook on life.
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