If you have seen the “Lost Tokyo”, you will definitely have not forgotten this open shot of Scarlett. A back shadow of a mature woman is accompanied by a curve under pink underwear, and the title of “Lost In Translation” gradually appears.
In fact, the 19-year-old Scarlett played Charlotte’s shyly refused this exposed performance, and finally directed that Sofia Kobora personally gave a demonstration, and then looked at Skye’s doubts. When we saw this shot. What will I think? Appreciating the 19-year-old Scarlett ripe a vibrant body, we perceived a shackle and temptation, it may be around the plot of the story. Maybe you will be curious about what she is thinking? What did she do before?
Director Sofia Kobora jumps out, let us face this lens language directly. What should I say? In this passionted foreign land, just graduated from the philosophy of graduate students, the future of Charlotte (Scarleti Johnson? Scarlett Johansson Decoration) playing with the photographer husband to play, work mad husband is innocent and Charlotte’s emotions and Heart. Two years of marriage began to have a sign of “itching”: lack of passion and communication in the usual peak, and the enthusiasm of love is gradually blamed. Charlotte’s twenty-pointed honesty is like Bob Harris (Bill Morry Bill Murray), the middle-aged crisis facing the movie star of the downhill road. After Charlotte’s lens of the hip curve, it was a Bob exhaled against the window, and looked at the fast-moving light monster Luojing Street. We heard the background of the dream, blue, blue The color of the cold tone will occur in the same night, although the length of different lenses is placed, playing the loneliness of the two.
Low-key hint. Back side of Charlotte lying on the bed. Sophia has been mentioned in an interview that the inspiration of the lens is from the painting of the United States. The painting of the master John Kacere, and many of his paintings have similar composition, laying on the side of the panties, showing a smooth body middle section of the light. The brightness of the painting, Sofia, on this, give the background of the brilliant tone, Charlotte is lying on the bed, and is the wave of the blindfold. There is no pornography of the picture, and there is no materialization of sexy women. It shows a full mature beauty, but the soul wrapped in Charlotte sexy body is still fascinating, green. When Charlotte was in a pink underwear, she came back, her photographer husband came back, picking up the photographic equipment on the floor of the hotel, and the room of the cherry-themed the theme of the cherry blossom theme is disappeared. Charlotte in a pink transparent panties walked in front of him, and he didn’t have fun if he didn’t have fun.
The picture gives a second metaphor pointing to loneliness young women – the shortcomings of mature fruits. A beautiful sexy visual symbol in pink panties is suspended. Husband ignores Charlotte’s beauty. Like the cold tones when it appears for the first time, it is compressed as a lonely symbol. The subject of the movie lonely. Many of the “Lost In Translation” disappears in the translation, the collision between the East and Western language, the difficult communication between people and people, also in Charlotte, Bob’s respective couples, The key to understanding and care is lost. Interestingly, the film gives the two protagonists, one inward, one outward, and finally two people go together. Bob Harris’s scene is often in the room, he is eager to calm, safe, however, the hotel room is too short, TV shows is so speechless, even his young movie is also confined. Japanese pronunciation … Everything can’t be calm. At this time, the lens captures Bil Morn, the face of the joy, and the photographer gave the brown’s partial warm tones.
Charlotte’s scene is often in the outdoor, she walks in the crossroads, seeing the average route of the spider web in the subway, can’t listen to the bell in the ancient temple … she pursued outward The meaning and answer of life. At this time, the wide-angle lens is often highlighted, and she shoots her in a strange environment in a strange environment with a medium landscape. The lens hue is used in white, blue-oriented cold tones. The photographer uses these two distinctive style to complete the different levels of loneliness, and provide a solid psychological basis for the knowledge of the two. Because of the loneliness of each other, it is attracted to each other. Bolhers said, what can I use to keep you? He was finally written, “I give you my loneliness, my darkness, my heart is hungry; I tried to use confusion, danger, failure to touch you.” Lonely is their common language, leading to the path of mind.
Although the two married people are moving, but there is no more than passing, just “getting love, 礼 礼”, is it like Wang Jiawei’s “Matssenger”? Sophia Koboola When I received the 76th Oscarmon Image Award, I am acknowledged to Wang Jiawei, thanked the “Fantasian Year” to bring her inspiration. The English name of “Fantastic Year” is in the mood for love – the mood of love, it is precisely in Charlotte and Bob. They are too addicted to the exchange of souls, so that they don’t dare to take a flesh. The awe of the physical relationship of this Platarian, is manifested in the composition of the two screens, and they always have a certain distance. Only in the game of escape, they ramble from the stylish bar. The next day, I escaped from the undressing vendar, running breathless, laughing and relaxing, and then shorten the distance of the body at this time.
Although the picture style is large, it is magnificent than the “Matter Year”, which is magnificent, “Lost Tokyo”. However, the flow of the gas field between Charlotte and Bobs and the game of “Escape” between “Escape” can see the shadow of “Fantasia”. There is also a similar question, “If there is a ticket, will you go with me?” “Lost Tokyo” is a more sincere confession, Bob blinks tears, said: “I don’t want to go.” “Don’t go, stay with me. We combat a jazz band.” Charlotte said. At this time, joke is the safest forward retreat distance. In this movie in this directors, maybe because this private emotion is born, there has been a more real resonance in the hearts of the audience. Everyone will have a lonely lonely at a certain stage, “I don’t feel Anything.” Losing the feelings of the hard work, there is no fear of the future, and we are difficult to mention the disappointment of marriage . “Your life, before you perceived, it is over, let’s go.” Bob said to Charlotte, but then he comforted his hand on the foot of Charlotte, said: “You still have to save” . But the same experience of life, there is no necessarily to meet a Bob’s luck.
It’s hard to imagine who is more compelling in Bob in Bob. He is so kind, cute, captures the precious traits of the middle-aged man, the wisdom brought about by the time of the burnout complaints, and his big boy’s humor. Bill Morrui has wonderful power, so that all occurs without pornography. He made two “friendships” convincing, he made a warm and unique screen image. Sophia has directed two people know each other, make a pity, quarrel, release, separate set of dramas. These layers are in progress, pointing to the climax of the last moment, hugging separately. Many people focus on this 2003 classic film over and over again, perhaps in the end of this warm to extreme hug.